Formed sometime in September 2007 by Clementine, formerly of the indie- pop/rock sensation Orange & Lemons, he chose to collaborate with old friends and drummer Ian Sarabia, and former bassist from years ago Law Santiago. Armed with his acoustic guitar Clementine returns to his indie roots with a new 3-piece line up – The Camerawalls. After nine months of sowing the seeds and taking baby steps they are now ready to release a collection of pop songs for a full-length independent album. July 3, 2008 marks the release of “Pocket Guide To The Otherworld”, their debut album under Clementine’s new indie label – Lilystars Records. The launch will be happening at Club Dredd in Eastwood City. Indulge yourselves with their initial offering “Markers of Beautiful Memories,” whilst they busy themselves preparing for the much awaited album launch. Watch out for their official website at www.thecamerawalls.com.Here's a sampler from their album. I love this one. =)
"The Zephyr Song" was the second single released for the Red Hot Chili Peppers' eighth studio album By the Way. The song, as a single, was released in two parts. Both editions held two previously unheard-of B-sides, making it, collectively, hold four non-LP tracks. This is the largest amount of accumulated unreleased studio recorded B-sides any solitary single the Red Hot Chili Peppers have ever released.
During the By the Way tour, the song was played extensively at virtually all live concerts. Since the release of the Red Hot Chili Peppers' newest album, Stadium Arcadium (and its subsequent tour), however, "The Zephyr Song" has since been completely removed and detached from any set lists. It has not been played once since 2005. It has also had a significant amount of online discussion in a few forums that the song is actually about the act of Dogging (sexual slang).
B-side: "Body of Water" "Someone" "Out of Range" "Rivers of Avalon" Released: December 3rd 2002 Format: CD Single, vinyl Recorded: 2002 Genre: Alternative rock Length: 3:53 Label: Warner Bros. Records Producer: Rick Rubin
Can I get your hand to write on Just a piece of leg to bite on What a night to fly my kite on Do you want to flash your light on
Take a look It's on display for you Coming down No, not today
Did you meet your forture teller Get it off with no propeller Do it up, it's on with Stella What a way to finally smell her
Pick it up If not too strong for you Take a piece And pass it on
Fly away on my zephyr I feel it more than ever And in this perfect weather We'll find a place together
Fly on my wind
Rebel and a liberator Find a way to be a skater Rev it up to levitate her Super friendly aviator
Take a look It's on display for you Coming down No, not today
Fly away on my zephyr I feel it more than ever And in this perfect weather We'll find a place together
In the water where I center my emotion All the world can pass me by Fly away on my zephyr We'll find a place together
"Too Much Heaven" is a song by the Bee Gees, which was the band's contribution to the "Music for UNICEF" fund. They performed it at the Music for UNICEF Concert on January 9, 1979. The song later found its way to the group's thirteenth original album, Spirits Having Flown. In the United States and Canada, it became the latest in a long line of chart-toppers, and rose to the top three in the United Kingdom, as well. It is also notable for featuring the Chicago horn section (James Pankow, Walt Parazaider and Lee Loughnane).
In the summer of 1978, the Gibb brothers announced their latest project at a news conference at the United Nations in New York City. All of the publishing royalties on their next single would go into UNICEF, to celebrate the International Year of the Child, which was designated to be 1979. The song earned over $7 million dollars in publishing royalties. Then-United Nations Secretary-General Kurt Waldheim heralded the move as "an outstanding and generous initiative."
The Bee Gees were later invited to the White House, where President Jimmy Carter thanked the group for their donation. At the ceremony, the brothers presented Carter with one of their black satin tour jackets. Carter remarked that he was "not a disco fan" but knew enough about their music because his daughter Amy was a big fan.
"Too Much Heaven" was recorded nine months after "Night Fever". At the time, this had been the longest gap in The Bee Gees' distribution of singles since 1975.
The single "Too Much Heaven" was released in the late autumn of 1978 (it had originally been intended for use in the John Travolta movie Moment By Moment, but was pulled before the film's release reportedly because Barry Gibb thought the movie was awful when he was shown a rough cut.), and started a slow ascent up the music charts. In the first week of 1979, preceding the Music for UNICEF Concert, the single first topped the charts in both the United States and Canada. In the United Kingdom, the single peaked at number three late in 1978. A slow ballad that was unlike the previous two singles off the Saturday Night Fever soundtrack, Barry Gibb noted that the group wanted to "move in an R&B direction, still maintaining our lyric power, and our melody power as well."
Released: October 24, 1978 (UK) November 21, 1978 (US, Canada) Format: vinyl record (7" 45 RPM) Recorded: Criteria Studios, Miami, Florida, June — July 1978 Genre: Pop Length: 4 min 56 s Label: RSO Producer: Robert Stigwood
Chorus: Nobody gets too much heaven no more Its much harder to come by Im waiting in line Nobody gets too much love anymore Its as high as a mountain And harder to climb
Oh you and me girl Got a lot of love in store And it flows through you And it flows through me And I love you so much more Then my life..i can see beyond forever Evrything we are will never die Lovings such a beautiful thing Oh you make my world.. a summer day Are you just a dream to fade away
Chorus..
You and me girl got a highway to the sky We can turn away from the night and day And the tears we had to pay(u hade to cry) Youre my life.. I can see a new tomorrow Evrything we are will never die Lovings such a beautiful thing When you are to me, the light above Made for all to see our presious love
Chorus..
Love is such a beautiful thing You make my world a summer day Are you just a dream to fade away
Chorus..
Nobody gets too much love anymore Its as wide as a river and harder to cross
"Mmm Mmm Mmm Mmm" is a single by the Canadian folk-rock group Crash Test Dummies, featured on their 1993 album God Shuffled His Feet.
Each verse describes the isolation and suffering of a child, each of which have wild-sounding stories: a boy whose hair has prematurely whitened from shock, a girl covered in birthmarks, and a boy whose family belongs to a peculiar religious sect. An alternate version sometimes performed at live concerts replaced the third verse with one concerning a boy whose mother disposed of his tonsils after a tonsilectomy, thus depriving him of the possibility of bringing them to show and tell.
The associated music video sets the song's lyrics as the script for a series of one-act plays performed by school children. Throughout, the scenes of the performance are intercut with scenes of the Crash Test Dummies performing the song at stage side.
The first act, set at a city intersection, tells the story of a young boy who was involved in a car crash. His hair turned white due to the force of the crash.
The second act tells the story of a girl that never used to "change with the girls in the change room", until one day the other girls (portrayed in the act as three inquisitive detectives) force her to change with them, only to discover that her body was covered in birthmarks.
The final act tells of a boy that lives under the strict discipline of his austere parents and how his family attends a church, where "shaking" and "lurching" happens during the services.
Released: 1993 (U.S.) Format: CD single Recorded: Music Head Recording in Lake Geneva, Wisconsin Genre: folk-rock Label: BMG/Arista Writer(s): Brad Roberts Producer: Jerry Harrison, Crash Test Dummies
Once there was a kid who Got into an accident and couldn't come to school But when he finally came back His hair had turned from black into bright white He said that it was from when The cars had smashed him so hard
Mmm Mmm Mmm Mmm Mmm Mmm Mmm Mmm
Once there was this girl who Wouldn't go and change with the girls in the change room But when they finally made her They saw birthmarks all over her body She couldn't quite explain it They'd always just been there
Mmm Mmm Mmm Mmm Mmm Mmm Mmm Mmm
But both the girl and boy were glad 'Cause one kid had it worse than that
'Cause then there was this boy whose Parents made him come directly home right after school And when they went to their church They shook and lurched all over the church floor He couldn't quite explain They'd always just gone there
"Walk on By" is a song composed by Burt Bacharach, with lyrics by Hal David for Dionne Warwick. It was recorded at the same December 1963 session that yielded "Anyone Who Had a Heart", which, in 1964, became Warwick's second Top Ten hit. Released in April of that year, "Walk on By" became a landmark single, reaching #6 on the U.S. Billboard Hot 100. The song also reached the top 10 in a brief run on Billboard's easy listening survey, and was a Number One hit on Cashbox's R and B chart (Billboard did not print rhythm and blues charts during 1964, the year of the song's peak performance.)
Like many of Warwick's 1960s Bacharach-composed singles, "Walk on By" was heavily covered in different ways, some of which gained significant chart success. One notable version was by funk/soul musician Isaac Hayes, whose 1969 cover on his groundbreaking album Hot Buttered Soul was transformed into a twelve-and-a-half minute funk vamp, breaking ground for singers to release songs surpassing five minutes. In 1978, The Stranglers recorded a gritty punk-inspired version that hit #21 on the UK charts. In 1982, funk singer D-Train recorded a US-only R&B hit with the song mixing up Warwick and Hayes' versions. In 1990, singer Sybil, who had scored her biggest hit a year prior with a cover of Warwick's "Don't Make Me Over", also scored a US R&B hit with this song.
Warwick also recorded a German version of the song, entitled "Geh Vorbei"
Hundreds of artists have recorded and performed "Walk on By" on stage, including The Jackson 5 (often as part of a meledy with The Love You Save) Aretha Franklin (1964), The Undisputed Truth, Bobby Kris & The Imperials, Mel Tormé, The Lettermen (on their 1964 album She Cried), The Four Seasons (1965), Stan Getz (1966), The Stranglers (1978), George Benson, Stanley Turrentine, Smokey Robinson & The Miracles, Johnny Mathis, Cliff Richard (for live album Cliff "Live" in Japan '72 with Olivia Newton-John), Gloria Gaynor (1975 album Experience Gloria Gaynor), Melissa Manchester, The Beach Boys, Sybil Lynch (1990), Seal, Average White Band, Melanie Thornton, Gabrielle (1997), The Carpenters, Kelly Clarkson and Kiki Dee, Jazz Jamaica (on Massive, 2004), The Scorchers (on "Stuntin'"), The Capprells and The Sul Brothers Band (one act).
Isaac Hayes' version of "Walk on By" was sampled and revisited many times, by artists such as Comptons Most Wanted (1991), Notorious B.I.G. (1994), Slick Rick Mona Lisa (1995), Hooverphonic (1997), MF Doom (1999), The Wu Tang Clan (2000), Pete Rock (2001), Ludacris (2004).
In 2003, Alicia Keys recorded a medley of Hayes' version of "Walk on By" and Gladys Knight & the Pips' 1970 song "If I Were Your Woman" for her second album The Diary of Alicia Keys, entitled "If I Was Your Woman/Walk on By".
The Undisputed Truth version of "Walk on By" was sampled by J Dilla on his 2006 album Donuts.
Joss Stone's song "Just Walk on By", from the 2007 compilation album Randy Jackson's Music Club, Vol. 1, contains a sample from "Walk on By".
Warwick's version remains the most well-known, however, and in 1998 the song was inducted to the Grammy Hall of Fame. The RIAA chose it as one of the Songs of the Century. In 2004, it was ranked #70 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time.
The Youngs recorded a version of "Walk on By" appearing on their self titled album released on Mimicry Records in 2004.
Released: August 10 1997 Format: CD Single Recorded: 1995 Genre: Pop, R&B, soul Length: 3:21 Label: Go Beat, Universal Records Writer(s): Burt Bacharach, Hal David
If you see me walking down the street And I start to cry each time we meet Walk on by, walk on by
Make believe that you don't see the tears Just let me grieve in private 'cause each time I see you I break down and cry And walk on by (don't stop) And walk on by (don't stop) And walk on by
I just can't get over losing you And so if I seem broken and blue Walk on by, walk on by
Foolish pride Is all that I have left So let me hide The tears and the sadness you gave me When you said goodbye Walk on by and walk on by and walk by (don't stop)
Walk on by, walk on by Foolish pride Is all that I have left So let me hide The tears and the sadness you gave me When you said goodbye Walk on by (don't stop) and walk on by (don't stop) and walk by (don't stop)
"Scar Tissue" is the first single from the American alternative rock band Red Hot Chili Peppers' seventh studio album Californication, released in 1999. It is one of their most successful songs, spending a then record 16 weeks on top of Billboard's Modern Rock Charts. It was released in late 1999, peaking at #9 on the Billboard Hot 100 and #15 on the UK charts. It won a Grammy Award for Best Rock Song in 2000. The song is notable for its mellow intro guitar riff and for its slide guitar solos throughout.
It was the band's first top 40 hit since 1995's "My Friends."
"Scar Tissue" is considered to be representative of the new, more melodic rock sound the band experimented with on Californication (in contrast to the psychedelic One Hot Minute, and dry funk of Blood Sugar Sex Magik). The song's most agreed-upon interpretation is that it is a celebration of life and rebirth, especially due to the situation before Californication (guitarist John Frusciante left the band in 1992 and spent six years as a drug addict, almost dying at one point, before cleaning up and rejoining).
The video for "Scar Tissue", was directed by Stephane Sednaoui, who also directed the video for Give It Away.
The opening shot is of John Frusciante driving, a metaphor for Frusciante's return and ascension to musical leadership of the band (he does not drive in real life). But the four of them are battered, beaten, and bandaged. They are traveling in a rusty wreck and playing broken instruments on the comeback trail. The video ends after an emotional thirty second Frusciante guitar solo at the moment of sunset, with John tossing the broken guitar from the car.
B-side: "Gong Li" "Instrumental #1" Released: May 25, 1999 Format: CD, cassette, vinyl Recorded: 1999 Genre: Alternative rock Length: 3:35 Label: Warner Bros. Records Producer: Rick Rubin
Scar tissue that I wished you saw Sarcastic mister know it all Close your eyes and I'll kiss you 'cause With the birds I'll share With the birds I'll share This lonely view With the birds I'll share This lonely view
Push me up against the wall Young Kentucky girl in a push-up bra Fallin' all over myself To lick your heart and taste you health 'cause With the birds I'll share This lonely view With the birds I'll share This lonely view With the birds I'll share This lonely view
Blood loss in a bathroom stall Southern girl with a scarlet drawl Wave good-bye to ma and pa 'cause With the birds I'll share With the birds I'll share This lonely view With the birds I'll share This lonely view
Soft spoken with a broken jaw Step outside but not to brawl Autumn's sweet we call it fall I'll make it to the moon if I have to crawl and With the birds I'll share This lonely view With the birds I'll share This lonely view With the birds I'll share This lonely view
Scar tissue that I wished you saw Sarcastic mister know it all Close your eyes and I'll kiss you 'cause With the birds I'll share With the birds I'll share This lonely view With the birds I'll share This lonely view
